SOL'SAX's installation at Momenta, entitled SOL'SNIPPED: Strange Fruit
from the Concrete Jungle, seeks to transform society by finding agency through language. In his work, English is recontextaulized by using the same kinds of puns and wordplay common in the Yoruban culture brought to the United States by West African slaves. Incorporating this strategy, Sax expands the narrow definitions of English words by using visceral and immediate materials. The work presented includes stacked coke bottles that evoke stalks of sugar cane (i.e. coke-cane), and SOL'SNYPD or Sol's N.Y.P.D, which evokes how souls are snipped by an unjust application of power. Rigorously
interconnected, this work addresses contemporary enslavement through legal codes of repression - as well the social empowerment made possible through its subversion.

   
   



SOL'SAX's work presented at Momenta was developed with the support of a 2004 Guggenheim fellowship. Recent solo exhibitions by Sol Sax include Chain Link Theory at Kenny Schachter Gallery, New York and Rock on SOL'SHEAD at Silverstein Gallery in New York. He graduated from Yale University in 1995 with an MFA and received a BFA from Cooper Union for the Advancement of Arts and Sciences in 1992.


 
   
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