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Chitra Ganesh's work explores how memory and its repression shape moments of personal and social crisis. Through installation, photography, and drawing, her work integrates personal and postcolonial narratives, challenging dominant representations of the postcolonial subject. Ganesh's source materials include Greek and Hindu mythology, 19th century portraiture, Bollywood posters, comic books, and mainstream media. Using collage, assemblage and digital manipulation, her work takes historical narratives apart at the seams, allowing suppressed histories and mythologies to emerge from within the very texts that seek to erase them. |
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The body becomes a site of social conflict, where
collisions of anxiety, loss, and contradictory historical narratives assume a material
form. Its doubling, splitting, fragmentation, and drive to self-immolation indicate the
rupture that takes place when disjunctures are made visible.
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